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Volksboutique presents
a forum for production, exhibition and exchange.
The establishment of a familiar arena to illustrate
where artistic experience should be lived.
Volksboutique
catalogues a lifestyle.
The term Volksboutique
was inspired by the East German concept Volks-Eigenen
Betrieb - the socialist terminology for collective
ownership and a production label indicating products
made by and for the people.
Volksboutique
is an exercise in labor, in public service and
conversational skill and in making the most of
what one's got.
Volksboutique
reveals the dichotomy between a working atmosphere
and its result - between introversion and extroversion.
We show the mess behind the scenes. We exhibit
mistakes and attempt to capitalize upon chaos.
Volksboutique
is an entity incorporating everyday life and artistic
practice.
Volksboutique
presents projects to further its own definition
and production ethic. We take forms that are recognizable
in every day life, and bend them slightly to make
them individual.
Volksboutique
redefines what 'art' means and what skills become
artistic.
Volksboutique
is not theater. It is a production of life.
Volksboutique
is shared responsibility between artist and viewer.
Volksboutique
is setting up one's own parameters and operating
within them. Living by one's own design. Creating
definitions. Freedom of occupation.
Volksboutique
is Self Starter. Cottage Industry. Do-It-Yourself.
Be Your Own Boss.

"Hill's
Volksboutique can be called a second hand store.
Or it can be called a participatory artwork that
takes the form of a functioning salesroom and
workshop space. Simultaneously a shop, an evolving
installation, a space for performance, a slice
of life, and an amorphous messy inclusive work
open to all questions, it absorbs found objects
as compositional elements and viewers as participants.
Above all, Volksboutique is a place of informal
human exchange that raises the conceptual stakes."
- Kim Levin, in The
Volksboutique Guide
1997

"We
see things not as they are, but as we are."
-
H.L. Tomlinson
excerpted from Braude's Handbook of Stories for
Toastmasters and Speakers 1957
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